Sculptor and Teaching Assistant at the Faculty of Fine Arts, Capital University
Participations :
- Dai Sculpture Workshop: Faces and Places, 2019
- Madinaty International Symposium Workshop, 5th Edition, 2022
- International Sculpture Symposium in Russia, organized by Belgrade University of Technology, 2023
- Adam Henein Sculpture Competition, 2024
- Adam Henein Sculpture Competition, 2025
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This bronze sculpture is a playful yet sophisticated example of biomorphic modernism, translating the familiar silhouette of a cat into a series of simplified, interlocking geometric volumes. The work is characterized by its heavy, horizontal body and a rhythmic, undulating tail that loops back toward the central mass, creating a dynamic sense of movement within a static form. The artist employs a deep, forest-green patina with a subtle matte finish, which enhances the sculpture's tactile presence and highlights the smooth, rounded planes that define its feline character. By reducing the animal to its most essential lines—the alert ears, the sturdy limbs, and the expressive curve of the spine—the creator captures the innate poise and curiosity of the subject.
Conceptually, the piece bridges the gap between figurative representation and industrial abstraction, utilizing pipe-like cylinders and serpentine curves to construct a living form. The deliberate use of negative space within the loop of the tail and the tilt of the head invites the viewer to experience the work from multiple angles, revealing a harmonic balance between weight and whimsy. This sculpture echoes the minimalist animalier traditions of the mid-20th century, where the "essence" of the creature is prioritized over anatomical precision. The result is a timeless, totemic object that celebrates the intersection of organic life and structural design, offering a meditative study on the elegance found in simplified forms.