Marwa Magdy was born in Cairo in 1993 Graduated from the Faculty of Art Education in 2016. Master's degree from the Faculty of Art Education (sculpture department), 2022. Assistant lecturer in the sculpture department, Faculty of Art Education, from 2017. International sculpture symposium held by Belgorod state Technological university named after V.G.SHukhov in Russia -EHDEN`S INTERNATIONAL SYMPOSIUM OF PAINTING AND SCULPTURE AND MIXED MEDIA IN LEBANON Participated in international and local exhibition, Aswan international symposium 24/26. Madinaty International Symposium 4. Salon of youth 30/31, Participated in Adam Henein Prize Exhibition, round"3,5,8" -joined CairoDesignWeek in dDesign101Art Gallery"1, 2nd round" - Farouk Hosny Foundation for Culture & Arts, "3,5 "rou, nd awonwin the third prize in sculpture award -Participated in Art Gallery in collaboration with Le Printemps des Artistes Cairo atthe Diplomatic Clubb -Agenda exhibition in Bibliotheca Alexandria 2021-2022. -YOUTH SALON Exhibition, round"29, 31"
- Likes
- 25113
- Views
- 3545232
- Followers
- 100
- Following
- 5
This sculpture is a sophisticated example of modernist figuration, depicting a reclining female form with a focus on harmonic volume and fluid continuity. The work is characterized by its soft, biomorphic curves and a striking turquoise-green patina that gives the medium an organic, stone-like quality. The artist employs a reductive approach to anatomy, smoothing the transition from the figure’s resting arm to the gentle swell of the legs, creating a rhythmic silhouette that feels integrated with the earth. The serene expression and stylized hair treatment evoke the influence of Art Deco and mid-century European sculpture, prioritizing the "essence" of repose over literal detail.
The composition utilizes a triangular structure to achieve a sense of grounded stability, while the undulating lines of the torso and limbs introduce a subtle, lyrical movement. The play of light across the matte, variegated surface highlights the subtle modeling of the figure’s form, emphasizing the contrast between the broad, sweeping planes and the delicate, expressive features of the face. By abstracting the human body into these core, essential shapes, the creator invites a meditation on the beauty of the feminine silhouette and the quiet strength found in a state of rest. This piece serves as a timeless study of balance, where the heavy material is transformed into a graceful expression of peace and permanent poise.