I work with watercolor as a field of research in which control and chance, structure and fluidity converge. I approach painting as a process where gesture, water, and pigment interact on equal terms, allowing the work to emerge from a balance between intention and accident.
My academic training in Advertising and Public Relations, along with a Master’s degree in Business Administration, and an extensive professional background in visual communication, have shaped a methodical and analytical approach to image-making, grounded in rigor, synthesis, and an acute awareness of visual language. This experience now informs my artistic practice not as narrative content, but as a working methodology.
Through my work, I seek to develop a distinctive visual language by means of sustained technical and expressive research in watercolor. I am particularly interested in the tension between the rational and the intuitive, between planning and unpredictability, understanding painting as an open and evolving territory.
I conceive each work as part of an ongoing process in which time, material, and imagination play a fundamental role. Painting is not, for me, a closed or definitive outcome, but a form of continuous exploration, approached with commitment, patience, and humility, guided by the aspiration that each new work surpasses the previous one.
Education
• Master’s Degree in Business Administration and Management (MADE), ICADE
• Bachelor’s Degree in Advertising and Public Relations, Complutense University of Madrid
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Credentials
- Awards
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- Group Exhibitions
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- Solo Exhibitions
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I wanted to explore the intersection of the wild and the constructed. By using plant extracts alongside traditional pigments, I am bringing a piece of the physical earth directly onto the cotton fibers.
The central form is intentionally nebulous—it is a breath, a root, or a storm. I love the way the plant extracts interact with the watercolor, creating granular textures that I could never fully predict. To balance this raw, organic movement, I introduced the rhythmic indigo lines in acrylic ink. These stripes represent the human desire to categorize and order the chaos of nature. For me, the piece is a celebration of that tension; it is about finding a harmonious space where the fluid energy of the earth and the structured lines of our own thoughts can coexist on the same page