A multi-disciplinary conceptual artist and painter whose practice unfolds at the intersection of philosophy, emotion, and material inquiry. Rooted in an ongoing investigation of change, essence, and becoming, her work navigates the fragile boundary between what is perceived and what is intuited. Drawing from her engagement with philosophical and literary texts and her sensitivity to inner states, she constructs visual and spatial experiences that evoke disorientation, transition, and the search for an essence. Her works often feel like suspended moments, states of in-betweenness where identity, memory, and form remain unresolved yet deeply present.
Her background in both visual art and interdisciplinary exploration informs a practice that resists fixed definitions. Working across painting, installation, and moving image, she approaches each medium as a conceptual extension rather than a limitation. There is a recurring sensitivity to rhythm and silence, elements that shape not only her narratives but also the structure of her visual language.n
At the core of her practice lies a sensitivity to the poetic, the ephemeral and the material. Whether through image, narrative, or structure, she constructs environments that feel both intimate and elusive, inviting the viewer into a state of quiet confrontation with their own instability. Her work does not aim to resolve, but to hold tension and to make visible the delicate threshold where something is always in the process of becoming something else.
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In this immersive mixed-media work, the artist translates the rhythmic verticality of a forest into a language of pure abstraction. The composition is defined by a series of soaring, columnar forms that suggest birch trees or weathered totems, yet they remain delightfully ambiguous.
The palette is strictly terrestrial—charred blacks, ochres, sienna, and bone whites—suggesting a landscape viewed through the lens of geological time or seasonal transition. The surface is a battlefield of textures; heavily impastoed areas sit adjacent to thin, atmospheric veils of color, creating a sense of "visual noise" that mimics the rustle of leaves or the peeling of bark. By stripping away clear representational detail, the work forces an emotional engagement with the material itself, capturing the skeletal, haunting silence of a woodland in late autumn. It is less a picture of a place and more a record of a sensory experience within that place