Egyptian Sculptor, born in 1988, graduated of Faculty of Art Education class2011, Got Master in Sculpture department 2018 & now pre PHD student at same department. Eman works with natural, familiar materials such as bronze, marble, granite and basalt, to create her abstract shapes. She participated in many exhibitions & symposiums in Egypt, Saudi Arabia, Abu Dhabi, Italy, Ukraine & Türkiye... such as Farouk Hosny competition2026, Decade Solo exhibition 2025, General exhibition many times till 2025,many participate at Picasso art gallery till 2025, AGENDA art exhibition 2025,Many participated at TAM art gallery till 2024, Adam Henin exhibition many times till 2024 and got many Prizes, many participate at Safar Khan gallery till2024, many participate at Ubuntu art gallery till 2023, Third sculpture salon2023, 1st Emaar Sculpture symposium 2021, 2nd Kyiv Sculpture symposium2020, 1st Salt stone symposium 2020, Aswan sculpture symposium 2018,Venice international Art Fair 2020, Many Participated at Mono gallery - AlRiyadh, Saudi Arabia. Have collections at Museum of Modern Egyptian Art, Aswan open museum&, Farouk Hosny Museum &, people in Egypt, Turkey, Saudi Arabia, Italy, Ukraine & America. Scholarship for Three years
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This work is a profound exercise in the economy of form. By reducing the sculpture to a series of intersecting obsidian planes, the artist challenges the viewer to find meaning in absolute precision. The piece does not mimic life; rather, it mimics the laws of geometry and physics.
The silhouette is characterized by sharp, aggressive angles that transition into smooth, expansive surfaces. The central "void" or notch at the base serves as a crucial point of tension, suggesting that the massive weight of the stone is balanced on two distinct pillars, giving the heavy material a surprising sense of architectural lift.
Because of the high-gloss polish, the sculpture functions as a dynamic optical object. It does not merely sit in a room; it absorbs and reflects the room. Shadows are cast with razor-sharp clarity across its facets, changing the perceived shape of the object as the viewer moves around it. It stands as a silent, stoic monument to stability and the enduring permanence of stone in an ever-shifting modern world.