Eveline Mürlebach is a visual artist based in Bonn, Germany. She holds a diploma in painting and has professional training in Drama Education (BuT). Her artistic practice combines monotype and experimental printmaking with mixed media and installation, focusing on questions of identity, visibility, and transformation.
She has presented solo exhibitions, including SMILE at H114 Bonn and Easy peasy lemon squeezy at Springmaus Bonn. A forthcoming solo exhibition, YOLO, will take place at Kunstkabinett Moll – Gallery for Contemporary Art. She also participated in the Discovery Art Fair Cologne with Kunstverein Köln 68elf.
Her work has been shown at the Frauenmuseum Bonn, including the exhibitions FLINTA and Werkschau. She maintains a studio at the Frauenmuseum Bonn and is a member of BBK Bonn and Kunstverein Köln 68elf.
In addition to her visual art practice, she led the drama education programme and acting school at Junges Theater Bonn for several years and has realized artistic and educational projects with institutions such as the Bundeskunsthalle Bonn, Bonner Kunstverein, and Arp Museum Bahnhof Rolandseck.
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In The Dancer, I wanted to freeze the precise moment where a physical movement becomes an emotion. Dance is so fleeting; I’ve always found it challenging to translate that raw, temporary energy into something that stays still. I used the monotype process because it feels like a performance in itself—you have one chance to get the impression right, and once the paper is lifted, that specific moment is gone forever.
I chose the neon pink frame because I wanted the light to act as a spotlight, much like in the theater. The way the acrylic catches the light and casts a pink glow onto the edges of the paper creates a sense of stage lighting, making the dancer feel as though she is still performing within the frame. The white arc across the top isn't just a line; it’s the lingering trail of a gesture—a memory of the motion that just happened. For me, this work is about the strength and grace that exists in a single, focused second. It’s an invitation to feel the vibration of the dance, even in the silence of the static image