Egyptian Sculptor, born in 1988, graduated of Faculty of Art Education class2011, Got Master in Sculpture department 2018 & now pre PHD student at same department. Eman works with natural, familiar materials such as bronze, marble, granite and basalt, to create her abstract shapes. She participated in many exhibitions & symposiums in Egypt, Saudi Arabia, Abu Dhabi, Italy, Ukraine & Türkiye... such as Farouk Hosny competition2026, Decade Solo exhibition 2025, General exhibition many times till 2025,many participate at Picasso art gallery till 2025, AGENDA art exhibition 2025,Many participated at TAM art gallery till 2024, Adam Henin exhibition many times till 2024 and got many Prizes, many participate at Safar Khan gallery till2024, many participate at Ubuntu art gallery till 2023, Third sculpture salon2023, 1st Emaar Sculpture symposium 2021, 2nd Kyiv Sculpture symposium2020, 1st Salt stone symposium 2020, Aswan sculpture symposium 2018,Venice international Art Fair 2020, Many Participated at Mono gallery - AlRiyadh, Saudi Arabia. Have collections at Museum of Modern Egyptian Art, Aswan open museum&, Farouk Hosny Museum &, people in Egypt, Turkey, Saudi Arabia, Italy, Ukraine & America. Scholarship for Three years
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This work is a masterclass in structural tension and geometric precision. Moving away from the figurative and organic themes seen in the previous works, this piece explores the language of monolithic architecture. The sculpture is composed of intersecting triangular planes that rise vertically, creating a silhouette that feels both ancient—like a fragment of a pyramid—and futuristic.
The power of the piece lies in its linear clarity. The sharp, vertical ridge that divides the form creates a dramatic contrast between the illuminated surface and the deep shadows of the opposing side. This "cleaving" of space gives the heavy stone a sense of aerodynamic lightness.
There is a deliberate lack of ornamentation here. By stripping away all texture and detail, the work forces the viewer to focus on the absolute nature of the material. The polished black surface acts as a dark mirror, pulling the surrounding environment into its sharp edges. It stands as a silent, formidable presence—a physical manifestation of stability, logic, and the enduring strength of the stone itself.