Graduated from the Faculty of Applied Arts, Helwan University. Department of photography, Cinematography, and T. 1981 Through the journey of academic ranks up to professor of photography, She taught variable courses of photography: History of photography, photojournalism, commercial photography, fine-art photography, Semiotics in photography. Worked in Egypt: October 6 University, The Higher Institute Of Applied Arts – Fifth district, The Higher Institute of Applied Arts- October City, MIU, MSA, Eslsca University, Algalala University. In KSA: Effat University, Jeddah. Princess Nora University, Reyadh. She has ten solo exhibitions and three group exhibitions.
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In this haunting piece, the artist navigates the liminal space between the human form and the entropic nature of the material world. By obscuring the subject’s gaze with a heavy, void-like shadow, the work shifts the viewer’s focus from the identity of the sitter to a visceral exploration of surface and decay.
The face emerges from—or perhaps is being consumed by—a complex topographical map of deep teals, burnt siennas, and bruised purples. These textures mimic the weathering of urban structures, suggesting a profound dialogue between the fragility of the human psyche and the permanence of stone and rust. The choice of canvas as a substrate further blurs the line between photography and painting, lending a rhythmic, tactile quality to the digital grain.
Ultimately, the piece functions as a study of "anonymized intimacy," challenging the viewer to find a reflection of the self within a face that is simultaneously present and eroding. It is a quiet yet powerful meditation on time, memory, and the layers we inhabit.