Visual artist, a member of the Exhibitions Committee of the Plastic Arts Syndicate, Professor, and Chairman of the painting department at the Faculty of Fine Arts, Minia University. Has conducted and exhibited numerous solo and group exhibitions, alongside participation in numerous symposiums and art workshops within Egypt and abroad. These include the 3rd, 4th, 6th, and 7th Burullus Symposiums for drawing on walls and painting on boats, the Luxor International Painting Symposium, the Madinaty International Painting Symposium, the Manfisto group exhibition, the Atelyhe Scape event held during the 12th Flowers and Gardens Festival in Yanbu, K.S.A., the International Art Symposium at Takhman Art Center, the Rang Malhaar - 11th Edition event, and the Egypt Art Symposium at the Porta Coeili Italian Foundation, The 9th edition of Rome Art Week- Italy, Jabal El Teir International Symposium,.....
Received numerous awards and certificates of appreciation, and has designed and executed several murals for private constructions, Has holdings by individuals within Egypt and abroad, and the Egyptian Ministry of Culture.
- Likes
- 25113
- Views
- 3545232
- Followers
- 100
- Following
- 5
This striking mixed-media portrait, created in 2022, presents a powerful and fragmented depiction of a human face through a dynamic collage of textured papers and bold, expressive linework. The composition is dominated by a vibrant spectrum of reds, oranges, and deep purples in the facial area, which is fractured into angular, mosaic-like sections reminiscent of stained glass or ancient frescoes. The eyes—rendered with intricate black-and-white detailing and stylized patterns—convey an intense, introspective gaze that draws the viewer into the subject's inner world. Subtle accents of green dots along the cheek and geometric orange motifs on the dark lower section add layers of visual rhythm and symbolic depth, while the white outlines emphasize the deliberate fragmentation of the form.
The lower portion of the work shifts dramatically in palette and texture, transitioning into rich blues and blacks adorned with abstract, calligraphic patterns that suggest cultural or personal symbolism. A distinctive fringed, feather-like element in black and gold sweeps across the shoulder area, introducing movement and contrast against the more static facial structure. Signed and dated by the artist, this piece masterfully blends elements of Cubism, African artistic traditions, and contemporary collage techniques to explore themes of identity, resilience, and the multifaceted nature of human experience. Its raw, tactile quality invites close examination, revealing new details with each viewing in the context of a modern gallery setting.