Graduated from the Faculty of Applied Arts, Helwan University. Department of photography, Cinematography, and T. 1981 Through the journey of academic ranks up to professor of photography, She taught variable courses of photography: History of photography, photojournalism, commercial photography, fine-art photography, Semiotics in photography. Worked in Egypt: October 6 University, The Higher Institute Of Applied Arts – Fifth district, The Higher Institute of Applied Arts- October City, MIU, MSA, Eslsca University, Algalala University. In KSA: Effat University, Jeddah. Princess Nora University, Reyadh. She has ten solo exhibitions and three group exhibitions.
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In this evocative digital composition, the artist explores the dissolution of the boundary between the human form and the geological world. The subject, a woman with eyes closed in a state of quiet introspection, appears to be emerging from—or perhaps being reclaimed by—a vibrant, fractured terrain.
The palette is dominated by electric blues and raw, igneous reds, creating a tension between the coolness of the sky and the heat of the earth. The "shattered" texture that overlays the face and forms the voluminous hair mimics the appearance of a mosaic or sun-baked clay, suggesting that the identity of the sitter is literally composed of the environment surrounding her.
By printing this digital vision onto canvas, the artist provides a tactile, painterly quality to the pixels, grounding the ethereal digital manipulation in the physical world. This piece serves as a meditation on permanence and fragility, challenging the viewer to see the human spirit not as a separate entity, but as a fractured, beautiful extension of the natural landscape.