An Ecuadorian visual artist, researcher, and educator with over 15 years of experience in the field of arts and education. She holds a double Bachelor’s degree in Fine Arts and Education, grounding her practice in both artistic creation and pedagogical innovation.
Her work has been exhibited nationally and internationally, including in cities such as New York and Switzerland, and has been recognized for its contribution to the intersection of art, research, and education. She has also been awarded for her investigative and creative work, highlighting her ability to merge academic inquiry with artistic practice.
Gamarra’s approach is rooted in understanding art as a tool for knowledge, transformation, and meaning-making. Her work explores contemporary artistic languages while engaging with cultural identity, interdisciplinary thinking, and educational impact.
Through her trajectory, she has positioned herself as an artist who not only creates, but also builds bridges between art, pedagogy, and society.
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Standing at a majestic height, this sculpture functions as a modern totem, a sentinel of void and shadow. The artist moves beyond the sinuous curves of their smaller works to embrace a more symmetrical, architectural language. The triple 'eyes' of the piece serve as literal windows through the material, inviting the background to become a dynamic participant in the composition.
The double golden incisions act as a rhythmic pulse, framing the dark, velvet-like surface and emphasizing the hand-wrought nature of the clay. There is a sense of ritualistic gravity in its stance; it occupies space not just as an object, but as a gateway. The tapering of the voids from the grounded base to the narrower crown creates an optical ascent, guiding the viewer’s eye upward in a steady, meditative flow. Priced at $3,500, this work is a masterclass in the balance of presence and absence, proving that what is removed from a sculpture can be as powerful as what remains